Rights and reproductions
The work of Eduard Arranz-Bravo is protected by copyright. Reproducing it — in a catalogue, a book, a thesis, an exhibition, the press or on a screen — requires authorisation.
Who authorises
Successió Arranz-Bravo, S.L., as holder of the inherited exploitation rights, authorises the reproduction, distribution and public communication of the work, except where the law itself makes an exception. Protection runs until 31 December 2093: seventy years from the 1st of January following the author’s death, which is the term set by Spanish intellectual property law.
Owning a work and being able to reproduce its image are two different things: buying a painting does not include the reproduction rights. If you own a work and would like to publish it, write to us and we will make it easy.
What to tell us
- Which work you want to reproduce. The title and year, or the address of its page on this site.
- Where it will appear: publication, exhibition, medium, website, and who publishes it.
- How: size, whether it goes on the cover, whether it appears whole or cropped.
- Print run and territory: how many copies, in which territories, in which languages.
- When, and until when.
How the work is reproduced
- Whole and faithful: not flipped or altered in colour. Cropping, details or any intervention on the image are possible with the Estate’s permission; mention it in your request.
- Nothing on top of it —text, logos, gradients— unless we have agreed it beforehand.
- The credit beside the image: artist, title, year, and the collection line where applicable.
- One copy of whatever is published, for the Estate archive.
For anything else, ask us: we will look at it with you.
What it costs
Reproducing protected work carries reproduction rights. The fee depends on the use — size, print run, territory, duration — and is quoted with the reply: you will know the cost before committing to anything.
Photographs
An authorisation to reproduce does not include the photograph. If you need a high-resolution one, say so in your email and we will see whether the archive has it. Where the photograph is a third party’s, the rights in it are theirs and must be cleared separately.
Editorial and academic use
Theses, research articles and criticism are welcome and the route is the same, but say that is what they are: they are not treated like commercial use.